It didn’t hit me, Vilnius, 2022
“It didn’t hit me” is site-specific installation recontextualizing Ukrainian wartime narratives within the sites in Vilnius deliberately selected for their semantic relation to locations in Ukraine.
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PETG plastic, 3D print, 2023
Pater(n) becomes a universal investigation through a private lense, by analyzing the connection to one’s father, his possessions and memories of him.
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Oak tree
Medium(as), 2022
In Lithuanian paganism, the oak was seen as the earthly embodiment of Perkūnas, the god of thunder, mediating between humans, deities, and the natural world.
While Lithuanians are working towards including their connection with nature into the UNESCO Intangible Cultural Heritage List, this projects tries to bring us back to the state of ‘medium’.
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Marble sculpture, 2024
edvinabraz@gmail.com
2018
Vilnius Academy of Arts,
Graphic design, Bachelor’s degree
2023
Vilnius Academy of Arts,
Sculpture, Master’s degree
2026 – current
2022
Pater(n) exhibited in Merkinė Art festival ‘Aritmija’
2023
2024
NAPA event coordinator
2024/2025/2026
DADADA studio project manager
2024-2026
Brazdžionytė
Playing the game of design
2018
Vilnius Academy of Arts,
Graphic design BA
2023
2022
Pater(n) exhibited in Merkinė Art festival ‘Aritmija’
2023
NAPA event coordinator
2024/2025
ADC*LT event coordinator
2024
DADADA studio project manager
2024-now
Book, Pater(n), 2023
Pater(n) is a form of investigation design which depicts the absence of father figure in one’s childhood. Objects, memories, recordings speak about one’s presence and leave a trace of a long gone member inside the family unit.
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Brat za brata (brother for brother), 2022
This publication is a tribute to all of the Euromaidan victims who died for a revolution. It presents two oppositions: victims stories and Berkut policeman testimonies. The holes visualise shots that were fired at Ukrainians.
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It didn’t hit me, Vilnius, 2022
“It didn’t hit me” is site-specific installation recontextualizing Ukrainian wartime narratives within the sites in Vilnius deliberately selected for their semantic relation to locations in Ukraine.
[More..]
PETG plastic, 3D print, 2023
Pater(n) becomes a universal investigation through a private lense, by analyzing the connection to one’s father, his possessions and memories of him.
[More..]
Medium(as), 2022
In Lithuanian paganism, the oak was seen as the earthly embodiment of Perkūnas, the god of thunder, mediating between humans, deities, and the natural world.
While Lithuanians are working towards including their connection with nature into the UNESCO Intangible Cultural Heritage List, this projects tries to bring us back to the state of ‘medium’.
[More..]
Marble sculpture, 2024